Off-campus University of Miami users: To download campus access dissertations, please use the following link to log into our proxy server with your University of Miami CaneID and Password.

Non-University of Miami users: Please talk to your librarian about requesting this dissertation through interlibrary loan.

Publication Date

2007-12-17

Availability

UM campus only

Degree Type

Doctoral Essay

Degree Name

Doctor of Musical Arts (DMA)

Department

Keyboard Performance (Music)

Date of Defense

2007-11-13

First Committee Member

Tian Ying - Committee Chair

Second Committee Member

Paul Wilson - Committee Member

Third Committee Member

Ivan Davis - Committee Member

Fourth Committee Member

J. Robert Floyd - Committee Member

Abstract

The purpose of this study is to identify and elucidate the unique aspects of Isang Yun's compositional style through in-depth examination of his piano chamber works: Gasa for Violin and Piano, Garak for Flute and Piano, Nore for Cello and Piano and Riul for Clarinet and Piano. Isang Yun (1917-1995), a Korean-born composer, is renowned for having established a compositional language which expresses Eastern thought in music crafted from Western musical elements. He was a pioneer and leader who created new compositional techniques in his efforts to combine Western styles with Korean musical traditions. He achieved international acclaim for his highly developed compositional techniques such as Haupttontechnik (Main-tone Technique) and Hauptklangtechnik (Sound-complex Technique), which modernized and westernized ancient Korean performance practices and native Korean music traditions. Four chamber works for piano by Isang Yun are used to trace the development of his use of twelve-tone technique and Haupttontechnik and to identify the connection between his spiritual philosophies and his music. This essay provides these insights to give the reader a more complete understanding of the life and music of Isang Yun.

Keywords

Riul; Nore; Haupttontechnik; Hauptton

Share

COinS