Publication Date
2008-04-20
Availability
Open access
Degree Type
Doctoral Essay
Degree Name
Doctor of Musical Arts (DMA)
Department
Studio Music and Jazz (Music)
Date of Defense
2008-04-14
First Committee Member
Gary M. Lindsay - Committee Chair
Second Committee Member
Whitney F. Sidener - Committee Member
Third Committee Member
Thomas M. Sleeper - Committee Member
Fourth Committee Member
Raul Murciano, Jr. - Committee Member
Abstract
Americana Suite is a seven movement musical composition inspired by nineteenth and early twentieth century American master paintings. Representative artists from each of the major schools of American painting include Frederic Church, Winslow Homer, Mary Cassatt, Childe Hassam, George Bellows, Edward Hopper and Georgia O'Keeffe. Essentially pluralist in style, the suite is written for ensembles of varying size and genre, spanning from full orchestra and contemporary big band to intimate jazz chamber ensembles and electro-acoustic hybrids. Four of the seven movements are written for jazz ensembles and incorporate improvisation, while the other three orchestral movements explore romantic, impressionist and cinematic idioms. Historical summaries of each school, artist and painting are followed by detailed aesthetic and theoretical analyses of the respective movements. Harmonica virtuoso Howard Levy performs as a special guest artist.
Keywords
Sunset At Sea; Breakfast In Bed; Embrace; Home Sweet Home; Niagara; Arranger; Jazz Pianist; Composer; New York Night; Nighthawks; Nocturne; Stag At Sharkey's
Recommended Citation
Routenberg, Scott Kevin, "Americana Suite: A Composition for Full Orchestra, Big Band, and Jazz Chamber Ensembles Inspired by American Master Paintings" (2008). Open Access Dissertations. 80.
http://scholarlyrepository.miami.edu/oa_dissertations/80