Master of Music (MM)
Date of Defense
First Committee Member
Melissa J. de Graaf - Committee Chair
Second Committee Member
Deborah Schwartz-Kates - Committee Member
Third Committee Member
Paul Wilson - Committee Member
This thesis presents an integrated assessment of the life and music of Johanna Beyer (1888-1944) through a combination of socio-cultural and musical analysis. It examines the composer?s biography in the context of the New York music scene in which she participated and the social and cultural paradigms of her time. Contemporary conceptions of gender and sex had a particularly strong impact on Beyer?s work and the reception of her music. Ideologies concerning gender, sex, work, composition and modernism intersected in a variety of ways in her life and music; these issues are examined extensively in Chapter Two. Because gendered thought was so instrumental in obscuring the work of this important composer, Chapters Three and Four provide a thorough and synthesized analysis of Beyer?s music that has thus far been denied to her. These chapters discuss both the composer?s dissonant, ?ultra-modern? music and her later tonal music, exploring elements of continuity and change in her oeuvre. The thesis rejects earlier interpretations of Beyer?s work as disjointed and argues that it is instead the product of a constantly evolving composer.
Dane Rudhyar; Dissonant Counterpoint; Ultra-modernism; Woman Composer; Gender; Female Composer; Johanna Beyer
Hiser, Kelly Ann, ""An Enduring Cycle": Revaluing the Life and Music of Johanna Beyer" (2009). Open Access Theses. 201.