Publication Date
2012-04-06
Availability
Open access
Embargo Period
2012-04-06
Degree Type
Doctoral Essay
Degree Name
Doctor of Musical Arts (DMA)
Department
Vocal Performance (Music)
Date of Defense
2012-03-26
First Committee Member
Donald Oglesby
Second Committee Member
Karen Kennedy
Third Committee Member
Paul Wilson
Fourth Committee Member
Carlos Conde González
Abstract
On May 4, 1953, William Schuman’s first opera The Mighty Casey, based on the Ernest Thayer poem Casey at the Bat, premiered at the Hartt School of Music in Hartford, Connecticut. While this debut performance and a subsequent portrayal of the work on the television program Omnibus in 1955 were critically unpopular, Schuman remained invested in the work’s success for decades to come. The composer consistently worked with individuals at G. Schirmer (the publisher of Casey), arrangers, editors, and conductors to rework the opera into: a four-hand piano arrangement of choral excerpts; a two-piano arrangement of the entire work; and a more critically successful cantata version of the opera (renamed Casey at the Bat), scored for symphonic instrumental forces. After discussing the relevant literature on The Mighty Casey, this essay examines the published editions, along with the work’s important premieres and recordings, and focuses on the unique aspects of each publication and performance. The document concludes with a discussion of suggested performance considerations for successful future productions. Ultimately, this paper aims to foster further study of the editions of The Mighty Casey, and to promote future performances of William Schuman’s unique composition.
Keywords
William Schuman; Mighty Casey; Bat; Baseball; Opera; Cantata
Recommended Citation
Stern, Jeffrey Sandell, "The Mighty Casey: A Study of the Performances and Editions of William Schuman's One-Act Opera" (2012). Open Access Dissertations. 721.
https://scholarlyrepository.miami.edu/oa_dissertations/721